Symbolic / Scale degrees / Sargam (S r R g G m M P d D n N)

A scale degrees in sargam (s r r g g m m p d d n n)

exactNeeds key, octave, timing before it sounds

S g P n

Addressscale-degrees/sargam/S%20g%20P%20n

Realization

See and hear it

The value is played as one MIDI chord. Assumed: key C major.

48·51·55·58

Same value

Also written as

Every notation of the scale degrees concept, formatted from this value by the Symbolic library.

Other concepts

Bridges

Converting into another concept may need context this value does not carry (a root, an octave, a key). Where it is missing the library assumes a default and says so; where a step drops information it is listed.

  • Melody · MIDI : beats

    lossy
    60:1,63:1,67:1,70:1

    Path scale-degrees → melody · needs key, octave

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
  • Pitch-class set · Pitch-class numbers

    lossy
    0-3-7-10

    Path scale-degrees → pc-set · needs key

    • Assumed key C major. No key was given, so C major is used.
    • Drops order, octave, repetition. The degrees' pitch classes in the key.
  • Chord symbol · Chord symbol

    lossy
    Cm7

    Path scale-degrees → pc-set → chord · needs key

    • Assumed key C major. No key was given, so C major is used.
    • Drops order, octave, repetition. The degrees' pitch classes in the key.
    • Drops alternative names. 0-3-7-10 is also D#6/C; Cm7 is kept.
  • Note distribution · MIDI : weight pairs

    lossy
    60:1,63:1,67:1,70:1

    Path scale-degrees → melody → note-space · needs key, octave

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
    • Drops order, duration, rests. Counts how often each MIDI note occurs (weighted by occurrence, not duration).
  • Note set · Letter names

    lossy
    C4-Eb4-G4-Bb4

    Path scale-degrees → melody → note-set · needs key, octave

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
  • Pitch-class distribution · Twelve weights

    lossy
    1,0,0,1,0,0,0,1,0,0,1,0

    Path scale-degrees → pc-set → pc-space · needs key

    • Assumed key C major. No key was given, so C major is used.
    • Drops order, octave, repetition. The degrees' pitch classes in the key.
  • Point melody · Point : beats

    lossy
    0:1,3:1,7:1,10:1

    Path scale-degrees → melody → point-melody · needs key, octave

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
    • Drops root, register. A melody loses its absolute pitch, keeping rhythm and relative shape.
  • Point set · Semitone offsets

    lossy
    0-3-7-10

    Path scale-degrees → pc-set → point-set · needs key

    • Assumed key C major. No key was given, so C major is used.
    • Drops order, octave, repetition. The degrees' pitch classes in the key.
  • Rhythm · Beats

    lossy
    1,1,1,1

    Path scale-degrees → melody → rhythm · needs key, octave

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
    • Drops pitch. A melody's timing alone — its durations and rests, with the pitches removed.
  • Score (voices) · Voices: pipe-separated melodies in beats

    lossy
    60:1,63:1,67:1,70:1

    Path scale-degrees → melody → score · needs key, octave, meter

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Assumed meter 4/4. No meter was given, so 4/4 is used: one cycle is one 4/4 bar.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
    • Drops metadata. Voices notation writes the notes only: key, meter, tempo, title and chords are dropped.
  • Set class · Forte name

    lossy
    4-26

    Path scale-degrees → pc-set → pc-set-analysis · needs key

    • Assumed key C major. No key was given, so C major is used.
    • Drops order, octave, repetition. The degrees' pitch classes in the key.
    • Drops transposition. The set's Tn class (Forte name with A/B, prime form); the transposition is dropped.
  • Grid position · Cells col,row (optional layout@origin: prefix)

    lossy
    aura@C3:3,0 3,1 4,1 4,2

    Path scale-degrees → melody → note-set → grid-position · needs key, octave, layout, root

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Assumed layout aura. No layout was given, so positions are read on the aura layout.
    • Assumed root C3. No root was given, so the value sounds above C3.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
    • Drops alternative positions. C4 has 2 positions, Eb4 has 2 positions, G4 has 2 positions, Bb4 has 2 positions on aura; the one nearest (0, 0) is kept.
  • Pitch class · Pitch-class number

    lossy
    0

    Path scale-degrees → pc-set → chord → pitch-class · needs key

    • Assumed key C major. No key was given, so C major is used.
    • Drops order, octave, repetition. The degrees' pitch classes in the key.
    • Drops alternative names. 0-3-7-10 is also D#6/C; Cm7 is kept.
    • Drops quality, bass. A chord symbol's root.
  • Rhythmic pattern · Binary onsets

    lossy
    1111

    Path scale-degrees → melody → rhythm → fractional-rhythmic-pattern · needs key, octave

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
    • Drops pitch. A melody's timing alone — its durations and rests, with the pitches removed.
  • Note · Letter name

    lossy
    C4

    Path scale-degrees → pc-set → chord → pitch-class → note · needs key, octave

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Drops order, octave, repetition. The degrees' pitch classes in the key.
    • Drops alternative names. 0-3-7-10 is also D#6/C; Cm7 is kept.
    • Drops quality, bass. A chord symbol's root.
3 bridges exist but fail for this value
  • Chord progression

    score→chord-sequence: The score has no chord lane and its simultaneities name no chords.

    Path scale-degrees → melody → score → chord-sequence · needs key, octave, meter

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Assumed meter 4/4. No meter was given, so 4/4 is used: one cycle is one 4/4 bar.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
  • Pitch-class set sequence

    score→chord-sequence: The score has no chord lane and its simultaneities name no chords.

    Path scale-degrees → melody → score → chord-sequence → pc-set-sequence · needs key, octave, meter

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Assumed meter 4/4. No meter was given, so 4/4 is used: one cycle is one 4/4 bar.
    • Drops timing. A degree line has no durations; each degree lasts one beat.
  • Roman-numeral progression

    score→chord-sequence: The score has no chord lane and its simultaneities name no chords.

    Path scale-degrees → melody → score → chord-sequence → functional-harmony · needs key, octave, meter

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Assumed meter 4/4. No meter was given, so 4/4 is used: one cycle is one 4/4 bar.
    • Drops timing. A degree line has no durations; each degree lasts one beat.

Live coding

Use in Symbolic Cycle

sym('scale-degrees/sargam/S%20g%20P%20n')

The slash address goes in single quotes; in double quotes it would be mini-notation, where / divides time.

Open in Code Sequencer

More about Sargam (S r R g G m M P d D n N)