Symbolic / Note sequence / ABC tune (first voice)

A note sequence in abc tune (first voice)

exactNeeds tempo before it sounds· carries root, octave, timing

X:1 M:4/4 L:1/8 K:C G2 A2 B2 c2 |]

  • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
Addressmelody/abc/X:1%0AM:4%2F4%0AL:1%2F8%0AK:C%0AG2%20A2%20B2%20c2%20%7C%5D

Realization

See and hear it

Each note is one step; durations are not kept in this preview.

67 69 71 72

Same value

Also written as

Every notation of the melody concept, formatted from this value by the Symbolic library.

Other concepts

Bridges

Converting into another concept may need context this value does not carry (a root, an octave, a key). Where it is missing the library assumes a default and says so; where a step drops information it is listed.

  • Note distribution · MIDI : weight pairs

    lossy
    67:1,69:1,71:1,72:1

    Path melody → note-space

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests. Counts how often each MIDI note occurs (weighted by occurrence, not duration).
  • Note set · Letter names

    lossy
    G4-A4-B4-C5

    Path melody → note-set

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
  • Point melody · Point : beats

    lossy
    0:1,2:1,4:1,5:1

    Path melody → point-melody

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops root, register. A melody loses its absolute pitch, keeping rhythm and relative shape.
  • Rhythm · Beats

    lossy
    1,1,1,1

    Path melody → rhythm

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops pitch. A melody's timing alone — its durations and rests, with the pitches removed.
  • Scale degrees · Jianpu (numbered notation)

    lossy
    1=C 5 6 7 1'

    Path melody → scale-degrees · needs key, octave

    • Assumed key C major. No key was given, so C major is used.
    • Assumed octave 4. No octave was given, so octave 4 is used.
    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops timing, rests. Each note's distance from the key's tonic (in the context octave) as a degree; rests and durations are dropped.
  • Score (voices) · Voices: pipe-separated melodies in beats

    lossy
    67:1,69:1,71:1,72:1

    Path melody → score · needs key, meter

    • Assumed key C major. No key was given, so C major is used.
    • Assumed meter 4/4. No meter was given, so 4/4 is used: one cycle is one 4/4 bar.
    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops metadata. Voices notation writes the notes only: key, meter, tempo, title and chords are dropped.
  • Grid position · Cells col,row (optional layout@origin: prefix)

    lossy
    aura@C3:4,1 3,3 5,1 3,4

    Path melody → note-set → grid-position · needs layout, root

    • Assumed layout aura. No layout was given, so positions are read on the aura layout.
    • Assumed root C3. No root was given, so the value sounds above C3.
    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
    • Drops alternative positions. G4 has 2 positions, A4 has 2 positions, B4 has 2 positions, C5 has 2 positions on aura; the one nearest (0, 0) is kept.
  • Pitch-class distribution · Twelve weights

    lossy
    1,0,0,0,0,0,0,1,0,1,0,1

    Path melody → note-space → pc-space

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests. Counts how often each MIDI note occurs (weighted by occurrence, not duration).
    • Drops octave, register. Folds 128 MIDI bins into 12 pitch-class bins, keeping the weights.
  • Pitch-class set · Pitch-class numbers

    lossy
    0-7-9-11

    Path melody → note-set → pc-set

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
    • Drops octave, register, duplication, order. A note set collapses to the unordered set of its pitch classes.
  • Point set · Semitone offsets

    lossy
    0-2-4-5

    Path melody → note-set → point-set

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
    • Drops root, register. A note set keeps its shape as offsets from its lowest note and forgets where it sits.
  • Rhythmic pattern · Binary onsets

    lossy
    1111

    Path melody → rhythm → fractional-rhythmic-pattern

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops pitch. A melody's timing alone — its durations and rests, with the pitches removed.
  • Set class · Forte name

    lossy
    4-11B

    Path melody → note-set → pc-set → pc-set-analysis

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
    • Drops octave, register, duplication, order. A note set collapses to the unordered set of its pitch classes.
    • Drops transposition. The set's Tn class (Forte name with A/B, prime form); the transposition is dropped.
6 bridges exist but fail for this value
  • Chord progression

    score→chord-sequence: The score has no chord lane and its simultaneities name no chords.

    Path melody → score → chord-sequence · needs key, meter

    • Assumed key C major. No key was given, so C major is used.
    • Assumed meter 4/4. No meter was given, so 4/4 is used: one cycle is one 4/4 bar.
    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
  • Chord symbol

    note-set→chord: Invalid note set as a chord: received "G4-A4-B4-C5", expected notes that name a chord

    Path melody → note-set → chord

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
  • Pitch class

    note-set→chord: Invalid note set as a chord: received "G4-A4-B4-C5", expected notes that name a chord

    Path melody → note-set → chord → pitch-class

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.
  • Pitch-class set sequence

    score→chord-sequence: The score has no chord lane and its simultaneities name no chords.

    Path melody → score → chord-sequence → pc-set-sequence · needs key, meter

    • Assumed key C major. No key was given, so C major is used.
    • Assumed meter 4/4. No meter was given, so 4/4 is used: one cycle is one 4/4 bar.
    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
  • Roman-numeral progression

    score→chord-sequence: The score has no chord lane and its simultaneities name no chords.

    Path melody → score → chord-sequence → functional-harmony · needs key, meter

    • Assumed key C major. No key was given, so C major is used.
    • Assumed meter 4/4. No meter was given, so 4/4 is used: one cycle is one 4/4 bar.
    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
  • Note

    note-set→chord: Invalid note set as a chord: received "G4-A4-B4-C5", expected notes that name a chord

    Path melody → note-set → chord → pitch-class → note · needs octave

    • Drops key, meter. A melody does not carry the key C major, meter 4/4; read the score to keep them, or pass them as context when writing it back.
    • Drops order, duration, rests, repetition. A melody collapses to the unordered, untimed set of pitches it uses.

Live coding

Use in Symbolic Cycle

sym('melody/abc/X:1%0AM:4%2F4%0AL:1%2F8%0AK:C%0AG2%20A2%20B2%20c2%20%7C%5D')

The slash address goes in single quotes; in double quotes it would be mini-notation, where / divides time.

Open in Code Sequencer

More about ABC tune (first voice)