Give the low end an audible harmonic layer.
@maru shared this effect so you can play it in your DAW, remix it or put it on your site.
A bass effect that blends a focused layer of harmonics into the low end, in the range that small speakers can actually play. It includes a small-speaker audition and a harmonics solo, so you can hear exactly what it adds.
A phone or laptop speaker reproduces little of a deep bass note. Bass Presence Lab takes the low part of the signal, saturates it to create harmonics, keeps the upper-bass and lower-midrange band of the result, and blends that layer under the untouched dry bass.
The panel offers three built-in phrases: a pure bass phrase, a sub-bass groove and a plucked bass phrase. Start with the pure phrase and Audible upper bass, then compare Full and Small speaker, or switch to Harmonics to hear the added layer alone. Sub bass translation suits 808s and sine subs; Gritty synth bass adds a dense growl to bright synth bass.
The added layer still contains some of the fundamental, so Harmonics is not a pure distortion residual. Small speaker is a filtered comparison, not a model of a particular device: switch back to Full before exporting unless you want that sound. There is no limiter or automatic level matching, so leave headroom when Drive and Presence are both high.
The stereo input feeds a dry path and a parallel branch. The branch low-passes the source at Focus, applies oversampled saturation, and filters the result to retain an upper-bass and midrange harmonic layer before mixing it with the dry signal.
Output trim follows the selected listening path. Small speaker filters the combined signal; Harmonics solos the added branch, which becomes silent when enhancement is bypassed. Full retains the dry path when bypassed. The module processes at 48 kHz through the host's declared rate policy.
Describe what you want to make. Build it with the Studio agent.
Six effects. Your order.
See a stereo signal from every angle.
Six bands, a curve you can drag, and a bit-exact bypass.
